The days have passed very quickly. Beautiful spring weather, each day a little warmer, each day a little closer to spring and here it will be spring official in a few days. A nice thing to think. Not sure why but this winter seemed to be a strange and hard one. To find myself wearing lighter clothes and not be annoyed at thinking I have to go outside for something is really pleasurable. I mean, just the thought of going outside makes me happy. Soon it will be warm enough for real stoop sitting and that will be something. Something cold to drink, a good book, and I can see many good days ahead.
And these past few days have been good. Most of it has been spent revising poems. I really get caught up in that world. Last night, I found it was three in the morning and I was still going at it, still thinking one line, one word, one image over the other. Should the words be reversed, repeated? How much paring was right and how much spare could lead to too spare? And then the opportunity to put back, to think that the undoing could be redone. The joy here is that nothing is really ever lost. The experience of taking away and putting back makes the put back different. And when it gets taken away (again) it isn't the same removal. These steps revising poetry aren't the same steps repeated but steps further walked.
So with two days left of spring break I'm not going to start counting up (yet) what I feel like I've accomplished but the reading has been good, the translating good, the new poems have potential and the revising is something for which I've found a rhythm.
And I've been listening to some good music over the time, from Miles Davis and Celia Cruz to Johnny Cash, Kris Kristofferson and Jerry Jeff Walker. Throw in Eddie Palmieri and Falla and you've got a nice coming into spring playlist.
My brackets for the NCAA basketball may have been busted. Won it all last year and may finish out of the money this time around. Went against the grain a few too many times. Not over yet, but I can read. Ah, baseball must be nearing.
Showing posts with label revision. Show all posts
Showing posts with label revision. Show all posts
Saturday, March 20, 2010
Sunday, October 28, 2007
milestone
A small milestone today: normally I write most of the first drafts of poems in a small moleskin notebook (I always carry one around, something I learned from my friend and collaborator on The Alphabet of the Trees poet Christian McEwen--though I'm not sure she carries a moleskin--it's just the idea of always having a notebook handy). I've found what this has meant is that I write most of my poems someplace else and not in my study. In my study is where I revise, it's almost as though I need (or like) multiple places for beginning and then a central place for working to make the poems better and better.
So there are usually two notebooks that are active at once: the notebook I'm writing in and the notebook I'm writing from. I like to have that distance from the first version to the one I'm going to start revising. Mostly this is to make sure I think the poem is still worth working on. At any rate, as of today, I only have one notebook, the one I'm writing in because in a big push this weekend I finished typing and printing the poems from the notebook I started on 15 February 2007 and finished on 14 June 2007. Which means a nice pile of poems to begin seriously revising over the next weeks. Which is something I'm excited about because revision is something I really like (I'd say love but it's also sometimes so frustrating, but I suppose so is love). I have to say that when I had a residency at VCCA last March (I was on leave last semester) I got a chance to revise with an intensity I'd never had because I arrived with a over one hundred poems. Some I realized pretty quickly I didn't want to work on, but most I did. So for eight, nine, ten hours a day, that was all I did, revise, revise revise (of course I also worked on Poet in New York, sometimes talking with Pablo three or four times a day)., I might have started ten or fifteen new poems the whole time there. It was just working and re-working. What emerged was my Celia Cruz fue la voz tropical manuscript, which I continue to revise even as I'm working on new poems.
So the milestone is the retirement of this notebook, all these new poems to think about. The current moleskin I probably won't finish it for another month, maybe two (this has been a hard working semester) and it's unlikely I'll even begin typing out any poems that are in there until then.
I like when things like this happen, when I feel like I've accomplished something, even as I'm still in the middle of it.
So there are usually two notebooks that are active at once: the notebook I'm writing in and the notebook I'm writing from. I like to have that distance from the first version to the one I'm going to start revising. Mostly this is to make sure I think the poem is still worth working on. At any rate, as of today, I only have one notebook, the one I'm writing in because in a big push this weekend I finished typing and printing the poems from the notebook I started on 15 February 2007 and finished on 14 June 2007. Which means a nice pile of poems to begin seriously revising over the next weeks. Which is something I'm excited about because revision is something I really like (I'd say love but it's also sometimes so frustrating, but I suppose so is love). I have to say that when I had a residency at VCCA last March (I was on leave last semester) I got a chance to revise with an intensity I'd never had because I arrived with a over one hundred poems. Some I realized pretty quickly I didn't want to work on, but most I did. So for eight, nine, ten hours a day, that was all I did, revise, revise revise (of course I also worked on Poet in New York, sometimes talking with Pablo three or four times a day)., I might have started ten or fifteen new poems the whole time there. It was just working and re-working. What emerged was my Celia Cruz fue la voz tropical manuscript, which I continue to revise even as I'm working on new poems.
So the milestone is the retirement of this notebook, all these new poems to think about. The current moleskin I probably won't finish it for another month, maybe two (this has been a hard working semester) and it's unlikely I'll even begin typing out any poems that are in there until then.
I like when things like this happen, when I feel like I've accomplished something, even as I'm still in the middle of it.
Subscribe to:
Posts (Atom)